“‘Aesthetic delectation is the enemy to be defeated,’ Duchamp has said in connection with this genre of work, and the readymades, according to him, were selected precisely for their lack of visual interest.” Danto, page 72, PDF page 12.

But if the choice of objects was founded on their “lack of visual interest”, Duchamp is acknowledging their are also objects that are visually interesting. More simply put, if it’s possible to have a lack of something then it’s also possible to have an abundance of that same something. For Duchamp, that something is visual interest.

By admitting that some objects of aesthetic consideration are, in fact, beautiful, isn’t Duchamp giving validity and form to the extant framework of aesthetic delectation?

Have Duchamp, and subsequently Warhol, shot themselves in their collective philosophical foot?