So Jeff, I gotta give you brownie points for catching me off guard with the Type Reviews paper. Me being brutally honest, I was lost for the longest and did not know exactly how to react to it. I was a nice short read, but it confused me since we’ve done so many readings about critical design so I expected it to be another piece about it. Then too, I must thank you also because I am able to look out of the Brillo box and see that criticism doesn’t have to only engulf critical design and film, but a whole array of things. I honestly did like this reading, but it sounded more like an advertisement than an actual in-depth critique compared to the other readings that we have done in the past. But I will have to disagree with what he says about the ‘Emmy’ font. To me, it looks sophisticated and neat; as if someone wanted to take their precious time and make sure every stroke placed down had a certain meaning and form about it. Something like “Sweetheart Script” is too glitzy and too (for the lack of a better word and wanting to steal one of Jeff’s words) foofy. It’s too many loops and hurts my head every time I glance at it, like someone was trying to hard to hit that ‘graceful’ goal. But as I always say, this is just my personal belief.

As for the Tears, Time, and Love critique–um, yeah…more confused than ever. Maybe it is perhaps since I’m reading a movie versus listening to someone tell me about it, I cannot grasp all of the great points that was listed. A movie is something that I have to see rather than hear about and honestly, I’m not into romance movies. Too gushy and no bloodshed, but putting my personal feelings to the side, I will state that what had me confused the most is when the author was listing many examples of how the director used time over the course of the movie. To me, there seemed to be TOO many instances and if I were to watch the movie, I probably wouldn’t catch it all. I understand that as a critic you must look deep into the work and not just focus on the top layer. But me personally, an artwork, movie, or design is something that I first have to experience before chipping away at the underlying meaning. To give proper critique you must first look at it as a user. For this movie, I would first watch it then give my critique, but seeing all of these symbolisms and hidden messages, it would turn me off, especially if I have keep in mind about many of them I spot out. Also, I agree with Brunette about the hidden motif when he said,

“…his specific political microreadings of the various relationships and characters seem, as usual, rather strained and unconvincing.”

The argument about having a political subtext withing this movie does not seem to stand out much. There doesn’t have to be a big neon sign saying ‘THIS IS WHAT WE’RE TRYING TO DO’. Something as simple as the characters doing or saying certain things that spoke of the political standpoint that the director had could get the point out. People are too focused in finding all these symbols with time that perhaps they cannot focus on the stance.

Weird articles, but at least I was entertained!!