I must admit todays reading ‘The later features: The double life of Veronique’ was one of the most engaging readings I have done for this class. The verbal richness describing the character, her experiences and intricate details of her feelings and conflicts blew my mind. I watched the film first and then did the reading. As I was reading, the entire film flashed through my mind subtly pointing out the scene details and connections between them. Elliot W. Eisner describes criticism as ‘the art of disclosure’. In his article ‘Connoisseurship, criticism and the art of education, he quotes Dewey – ‘Criticism, as Dewey pointed out in Art as Experience, has at is end the re-education of perception… The task of the critic is to help us to see.’  I believe this nature of criticism of the film ‘The double life of Veronique’ was very well done by Kickasola. ( Though I didn’t get all his points, I experienced some ‘ah-ha’ moments while I was reading).

Another thing that struck me was the subtleness of the clues in cinematic techniques and narration that contributed to the film experience. In designing user experiences, I believe we can take some inspiration from Kieslowski by making careful and subtle choices regarding design elements. For a ‘happy’ experience, the design need not scream ‘and now it’s time to be happy’ (hopefully this makes sense). The point I am making is by downplaying some elements or giving indirect clues, designers can craft more meaningful and deep experiences that can have a lasting impression on people.